Anne Hathaway wins pudding award

Anne Hathaway wins pudding awardAnne Hathaway has accepted her woman of the year award by the Hasty Pudding Theatricals drama group in person.

The Oscar-nominated actress played along with a threatrical production and a parade when she arrived to receive the award in Cambridge.

Hathaway was kissed by men dressed in drag during a parade down Massachusetts Avenue

Justin Timberlake will receive his man of the year award in person on February 5.

Hayden Panettiere is a Hamburg Hottie

Hayden Panettiere is a Hamburg HottieHayden Panettiere hits the red carpet with her boyfriend, Ukranian boxer Wladimir Klitschko, at the Best of Musical Gala 2010 at the Color Line Arena in Hamburg, Germany on Saturday (January 30).

The 20-year-old Heroes actress, who is 5′1″, posed for photos with her 33-year-old beau, who is 6′6″!

Hayden chatted with Us Weekly at the premiere of Temple Grandin earlier this week and shared that she felt “tired of being a blonde.”

“It’s fun to change things up,” Hayden added, “and I feel I don’t have to overcompensate as much personality-wise when I have red hair as I do with blonde hair.”

Sometime Sex is fun and everyone should experiment with porn

Sometime Sex is fun and everyone should experiment with pornMariah Carey recently proved that she could be a prankster too—the crooner left hubby Nick Cannon stunned when she called his radio show and acted like a porn-crazy woman.

The singer introduced herself as Debbie from Long Island during the prank phone call to the New York show Rollin With Nick Cannon on 92.3 NOW FM.

Then she declared that she was a fan of adult films and went on to list their benefits.

"Me and my husband have a very good time when we watch porn and I don''t think it''s bad. I think if it was bad it wouldn''t exist! And I think that everyone should experiment with porn!” Contactmusic quoted her as saying.

"I mean Nick, come on, you know you look at porn! Tonight when me and my husband look at porn, I already know it''s gonna be a humdinger!" she added.

Cannon soon caught on and quickly announced, "Ladies and gentleman, this is how hilarious my wife is. This is Mariah Carey calling the station talking about porn!"

Carey joked, "I don''t even know what you''re talking about! All I''m saying is stop talking bad about porn!"

Rann Movie Review Rating By Taran Adarsh a

Rann Movie Review Rating By Taran Adarsh


Ramgopal Varma is itching to tell a new story in his movies. You may garland him for his efforts or loathe him if you feel letdown, but you need to hand it to him for picking up stories that defy stereotype.

This time, in RANN, the maverick film-maker does an expose on the games the heavyweights in the media play to further their interests. RGV goes into the newsrooms and also behind it and throws light on the politician-industrialist-media nexus. Also, it's an insider's account of how news channels that are greedy for ratings sensationalize stories to grab eyeballs.

On surface, you don't want to know what goes behind the scenes and how, at times, news are 'created' by vested interests. But RANN scratches the surface and opens a can of worms. RANN also mirrors the fact that just like there are good and bad people in every field, there're some rotten ones in the media too who succumb to temptations and create news to climb the ladder of success.

RANN is a serious film and RGV knows what he's talking this time. It wouldn't be erroneous to state that you recall RGV's SARKAR while watching RANN, even though the two films are as diverse as chalk and cheese. You recall SARKAR because RANN is an equally powerful film that shows a world we've only seen from the exterior.

RANN is for those who enjoy serious cinema. It's more for the intelligentsia, for the thinking viewer. Definitely not for those who seek refuge in frivolous masala capers.

Vijay Harshvardhan Malik [Amitabh Bachchan] is the founder of a private news channel, India 24/7. A hardcore upholder of journalistic ethics, his channel is battling for survival. Jay [Sudeep], his son, looks at his father's news channel purely as a business enterprise that must make profits to justify its existence. He hates that his competition [Mohnish Bahl] is doing better than him.

The story takes a turn when a corrupt politician, Mohan Pandey [Paresh Rawal], decides to use the channel to his advantage by using Vijay's son-in-law Navin [Rajat Kapoor]. Pandey aspires to be the Prime Minister and indulges in a vicious campaign against his political opponent.

Navin is the most insecure man on earth and won't rest till he becomes the number one industrialist in the country. He, in turn, involves his brother-in-law Jay in Pandey's game plan.

film like RANN would fall into the pit if [i] its writing wouldn't be razor-sharp and [ii] the choice of actors would be incompetent. RGV's movies, generally, are embellished with competent actors who deliver super performances. In this film, every member of the cast shines in his/her role, the length of the role notwithstanding.

The writing is watertight and convincing. Besides, the subject matter has been presented in the most simplistic manner, which makes it easy to decipher. However, the episode showing Riteish's investigation tends to get confusing at one point, but the climax compensates for the minor hiccups here and there.

Amit Roy's cinematography is eye-catching. Dialogues are power-packed. In fact, one can identify with the well-penned dialogues. The background score plays a crucial role. It heightens the impact of various scenes.

Amitabh Bachchan is spectacular yet again, especially towards the finale. His speech and the way he delivers it are remarkable. Sudeep is terrific. To stand up to giants like Bachchan and Paresh Rawal is no mean achievement. Riteish is only getting better and better with every film. In fact, he surprises you constantly.

Paresh Rawal, seen in an RGV film after a long, long time, is at his vicious best. Rajat Kapoor is incredible. Mohnish Bahl gets the role of a lifetime and he sinks his teeth into it. This film should open new vistas for him. Gul Panag is natural and so easy on the eyes. Neetu Chandra does her part well. Suchitra Krishnamoorthy is too good. Rajpal Yadav contributes to some funny moments. Neena Kulkarni and Simone Singh are perfect for their parts.

On the whole, RANN is truly a well-made film. No two opinions on that. The film should be patronised by viewers of serious, sensible cinema. Recommended!

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Ishqiya Movie Review Rating By Taran Adarsh

Ishqiya Movie Review Rating By Taran Adarsh


Movie : Ishqiya
Director : Abhishek Chaubhey
Cast : Naseruddin Shah, Arshad Warsi, Vidya Balan

Get ready for tangy, pungent, sizzling and spicy stuff. Be forewarned, Ishqiya isn't the fluffy, candyfloss, saccharine sweet story of lovers breaking into songs in mustard fields. In Ishqiya, you just don't know what turn the story may take next. Not just the story, even the characters here are so impulsive and unpredictable.

Rating : Four stars

You need to have a strong stomach to absorb Ishqiya. It's high on drama, it's wild, it's real. But it's not dark, it's not sleazy, it's not crass. Frankly, you don't expect debutante director Abhishek Chaubey to make a stereotypical fare thanks to the tutelage by his guru Vishal Bhardwaj, who loves to swim against the tide and undertake risks in film after film.

You could call Ishqiya a distant cousin of Omkara. Set in Gorakhpur in North India, the film has a rustic feel, depicts characters that may make you uncomfortable and is laced with saucy lingo. Yet, it's different than Ishqiya.

Final word? You can't help but fall in ishq with Ishqiya. Tired of sherbat? Try this spicy jaljeera for a change!

Two thieves, Khalujaan (Naseeruddin Shah) and Babban (Arshad Warsi), are on the run from their boss, Mushtaq. They seek refuge at a friend's house, but instead meet his widow, Krishna (Vidya Balan). The time spent together draws the duo to her, Khalu with his tinted vision of old-fashioned love and Babban with his lustful eye. But the past catches up with all three!

There's no denying that the promos had prepared me of the journey ahead, yet it took us a good 15-odd minutes to get into the world of Khalujaan, Babban and Krishna. But once you get sucked into their world, the blurred images start getting clearer and clearer and you become an active participant in their journey.

The first hour passes in a jiffy, but the story actually gets dramatic and volatile in its second hour. It's at this stage that things start getting more and more unpredictable. The story does a somersault every 10 minutes and by the time it reaches its finale, you're curious to know how the debutante director would conclude this saga. The end, of course, will have its share of advocates and adversaries, but the fact remains that it's offbeat.

Abhishek Chaubey is a welcome addition to the ranks of avid storytellers. His choice of the subject and also handling of the material is what makes this film so eminently watchable. Not once do you feel that Ishqiya has been helmed by a first-timer. Note the change of events in the song Dil To Bachcha Hain Ji or the kidnap drama and the heated argument that follows thereafter. Even the passionate lovemaking sequence between Arshad and Vidya has been dexterously canned.

However, Chaubey and his team of writers could've kept the writing simplistic towards the finale. It's complex and also lacks clarity. Yet, all said and done, screenplay writers Vishal Bhardwaj, Sabrina Dhawan and Abhishek Chaubey deserve kudos for coming up with a film that keeps you hooked for most parts.

Vishal Bhardwaj's musical score has his unmistakable stamp all over. The film is embellished with two lilting gems - Ibne Batuta and Dil To Bachcha Hain Ji - which are a rage with listeners already and have been juxtaposed beautifully in the plot. Mohana Krishna's cinematography is first-rate. Dialogues (Vishal Bhardwaj) are acidic and a few lines are indeed startling.

Ishqiya explores human emotions

Every actor in Ishqiya delivers a sparkling performance! Naseeruddin Shah is superb as a romantic. He is matchless in the sequence when he learns the truth about Vidya and Arshad. Arshad packs in a bravura performance yet again. Post Munnabhai films, Arshad should be liked in this one the maximum. Vidya continues to surprise. It's a dynamic performance undoubtedly. Paa and Ishqiya are two landmarks in her career.

The actors enacting the role of Jijaji, the kidnapped victim and Vidya's husband are all perfect. The child, who interacts with Arshad, is natural. In fact, every performance in Ishqiya is worthy of mention.

On the whole, Ishqiya is definitely worth a watch. The film has a riveting plot, great performances, soulful music, an absorbing story and skilful direction to make the viewer fall in ishq with it. It should appeal to the hardcore masses as also the multiplex junta.

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Sameera Turns to South


Actress Sameera Reddy, whose only South Indian film was Vaaranam Aayiram, recently signed Casanova opposite Mohanlal. She is now doing another film, Oru Naal Varum with Mohanlal where she will be playing his wife. The film is directed by T.K. Rajeev Kumar and is written by actor/director Sreenivasan. The film is about an ordinary man who only dreams to build his house but is a victim of the corruption around him. The film will go on floors in Thiruvananthapuram on February 14th.

Sameera’s performance in Tamil film Vaaranam Aayiram opposite Suriya was appreciated. She is now awaiting the release of her other Tamil film, Asal opposite Ajith.

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PETA Ad: State of the Union Undressed is a new advert released by Peta as a take on President Barack Obama’s State of the Union Address. The advert shows Marissa Lewis, who is a spokesperson for Peta, stripping in front of the members of Congress while she speaks about ‘arousing’ and ‘awakening’ the general public. The advert even shows The First Lady clapping at the girl’s speech. The advert even claims to show “people as much as they need to see in order for them to stand at attention”. Peta sure has a way with words. There are even some shots of John Dingell who is all smiles.




 It is not the first time that PETA decided to go ahead with an Advert named State of the Union Undressed. This is in fact the third year Peta has made the particular ad.

PETA Ad: State of the Union Undressed can be found on the internet. There are two versions, one of it is censored while the other dares to bare all. It is not the first time that a lady has decided to shed her clothes for the sake of animal rights enforced by Peta. Peta is probably among the few organizations that make such controversial adverts for spreading awareness among people. However, there are a number of organizations and panels that object to Peta’s bold expression of thoughts. Celebs like Pamela Anderson and Eva Mendes have actively taken part in the Peta campaigns. If Peta continues making such adverts more cases of self-combustive humans will be definitely in the news.

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Taylor Swift rides high into Grammy night

Taylor Swift rides high into Grammy nightTaylor Swift has been playing in the major leagues only a short time, yet her trophy case would make even the New York Yankees jealous.

Think that's an exaggeration? Consider that 20-year-old Swift has received 78 major award nominations and won 48 times since breaking through in 2006. This includes winning six American Music Awards, seven Billboard Music Awards and five Country Music Television Awards. Back in November, Swift, then just 19, took home five Country Music Association Awards — including the genre's most prestigious prize, entertainer of the year.

Now, she stands to add to that total — in a big way — with nominations in eight categories Sunday night at the 52nd annual Grammy Awards. Swift (who previously had but one Grammy nomination to her name) has the second most nominations of the night, trailing only Beyonce's 10, and they include three of the biggest fields — record, song and album of the year.

Not that awards shows are the only forum for Swift's success. Her two CDs, "Taylor Swift" and 2008's "Fearless," have sold millions of copies and she's scored more Top 40 singles than any other female artist this millennium. She's also quickly proven to be a legitimate draw at the gate, as her ongoing "Fearless Tour" — set to touch down April 11 at the HP Pavilion in San Jose — has been drawing capacity crowds across the country.

"It's a meteoric rise not unlike what we've seen in recent years with the likes of the Jonas Brothers and Miley Cyrus," remarks Rob Evans, editor of TicketMaster's music news Web site, LiveDaily.com. "What's interesting about Swift, though, is that it's easy to picture her playing concert halls for years and years."

Indeed, Swift seems unlike anything else we've seen in pop music history. There have been acts — especially those that appeal to a younger demographic — that rise from seemingly nowhere to dominate the charts (and often fade equally as fast). There have also been musicians who have won big at award shows or earned rave reviews from critics. Yet, it's hard to name anyone other than Swift who has so quickly managed to accomplish both.

Swift was first embraced by country crowds that cheered on her debut single, the 2006 ode to hunky cowboy "Tim McGraw." Her music then began to spread via the Internet — rare for a country artist — and was eagerly gobbled up by non-country listeners. In particular, she connected with Hannah Montana fans, young teens and early twentysomethings, who had no problem identifying with the personal lyrics and stories in her mostly puppy-love songs.

"I think Taylor's advantage is that she is a singer-songwriter," says Nate Deaton, general manager of the Bay Area country music station KRTY 95.3 FM. "A lot of people try to relate to that 13- to 25-year-old audience. Well, it's pretty darn hard to relate to that audience unless you are one of them.

"Swift wrote her songs from that perspective, and I think that's what appeals to the audience. It's believable because it doesn't come from a 35-year old."

With that crucial younger demographic and a solid country following at her feet, Swift then went on to conquer the rest of the world. Her songs quickly crossed over from country radio to garner much airplay on other formats, and soon millions of pop fans were singing Swift's praises. Critics, traditionally skeptical of anything so overwhelmingly endorsed by the general public, also fell under Swift's spell.

Geoffrey Himes, the noted writer who has organized the Nashville Scene publication's annual Country Music Critics Poll since its inception in 2000, was joyous in recounting what it was like to see Swift in concert.

"I caught the first show of her summer tour at the Merriweather Post Pavilion in Maryland, and I was astounded all over again by her improbable combination of good writing, good singing, good looks and strong presence," he wrote in the essay accompanying the most recent critic's poll. "Maybe she's had some vocal problems on award shows, but on that night in June she sounded like the best thing to happen to American pop music in a long time as she delivered one of the truest songs about adolescence ('Fifteen') I've ever heard."

Regardless whether Swift wins big at Sunday's Grammy Awards, her biggest challenge will be in trying to sustain her popularity as she — and her fans — graduate to adulthood. That's no easy task for a young act — just ask Hanson, Debbie Gibson or Tiffany— but it's one that Swift seems well prepared to handle.

"Though she's still very young, she's already a veteran performer, and she's already a songwriter," Evans says. "To develop a deep fan base, it's important to put the work in, and she's put the work in. Her publicity machine has been amazing, but her music seems more personal and less disposable than that of many of today's other young stars."

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